Tag: diversity

Did someone say Book Lovers Day?

It makes total sense that Book Lovers Day would fall right in the middle of the hottest days of summer, when there really isn’t anything better than sitting in front of the air conditioning (or some other cooling device) and reading. As it happens, as I’ve been in the homestretch of finishing a work in progress for young adults, I’ve also been immersed in reading books for young readers of color by writers of color — like a message of love from the universe. Here are some of the books I’ve read & been reading lately that have won my heart:

  • Fresh Ink: An Anthology: I got a sneak peek at this one (Oh, the rewards of being a book nerd are few, but feel so enormous sometimes…) since the pub date is next week, on August 14th. I love the color, and adore the mission of We Need Diverse Books, cofounded by the anthology’s editor, novelist Lamar Giles. Here, he’s compiled fresh, and beautiful short stories by a constellation of YA’s strongest voices. I’m not all the way through, but stand-outs so far are “Why I Learned to Cook” by Sara Farizan, (whose third novel, Here to Stay, is incredibly timely and comes out this fall) Walter Dean Myers’ “Tags,” a one-act play that’s previously never been published and Melinda Lo’s (adorable) “Meet Cute.” I can’t wait to dig into the rest of the collection, especially stories from Daniel Jose Older & Melissa de la Cruz and Nicola Yoon.  This is a collection that isn’t to be missed — it fully represents the world in which our youth live, which is what makes it so fresh. There are parts of Eric Gansworth’s “Don’t Pass Me By,” that are laugh out loud funny, and other moments of regular ‘ol teen angst that show that stories in own voices are also universal stories of kids who are just kids. The book is a relief.

  • Courage: One of the things that’s inspiring about talking to writers who write for a young audience and particularly for children of color (who often don’t see themselves reflected in literature, so get turned away from books at a young age) is that they often have such an interesting path to get to the page. Barbara Binns is one such author — and I interviewed her for Kirkus about her first middle-grade novel to be published by a large press, Courage. After other careers, Binns took a brief foray into romance writing for adults before she learned that the Black boys, in particular, are often resistant or struggling readers because no one really writes for them. She’s written to try and fill the gap for years, and Courage is another, larger step in that effort. It’s the story of 12-year-old T’Shawn, who is navigating the loss of a parent, the homecoming of a formerly incarcerated older brother, a crush and being the newest addition to his swimming team.


  • Proud: Young Reader’s Edition: “People think that there are limitations to what women and people of color can achieve,” Muhammad said when I interviewed her for Kirkus Reviews. She made history in spite of a number of odds as the first woman to compete in hijab, and more adversities that she describes in both the adult and young adult versions of her memoir. “It’s part of my life’s work to break through that box people try to put you in.”

I’m reading some other books, of course, but I’ll save all that for another time. What are you reading this summer? How are you liking it? What’s your favorite?

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The alarming inclusion gap between film critics & audiences

In case you wondered if we were making any progress on media diversity in entertainment criticism as storytellers, directors and actors of color in Hollywood start investing in a wider range of stories, the answer is no, according to a new USC Annenberg Inclusion Initiative report.

White critics authored 82% of reviews whereas critics from underrepresented racial/ethnic groups authored 18%. This point statistic is substantially below (-20.7 percentage points) U.S. Census, where individuals from underrepresented groups clock in at 38.7% of the population.

Looking at reviews through an intersectional lens, White male critics wrote substantially more reviews (63.9%) than their White female (18.1%) or underrepresented male (13.8%) peers. Underrepresented female critics only wrote 4.1% of the sample. The ratio of White women’s reviews to those of their underrepresented female counterparts was 4.4 to 1.

I wrote about this in my book in 2015, but it bears repeating: Diversity is a business imperative, not a moral imperative. It’s not just “nice to have,” it’s important to keep your business profitable.

I seek out the work of Wesley Morris and Hilton Als and Doreen St. Felix because they are talented writers and reporters and because I know they understand my worldview as well as the aesthetics and aspirations of the world builders who are working to center Black narratives. Bless Anthony Lane’s heart, I love to read his thoughts on anything else, but I give a damn what he thinks about Black Panther or Girls Trip or even Get Out.

The companies that hire and retain a diverse cadre of writers are the ones that will be around for the long haul. If most of the world doesn’t look like the critics who are supposed to be the experts on cultural products they don’t really get, how long do you think you’ll keep your audience?

Book Update and DC Author Festival, October 24th

DC Author Festival GraphicSince How Racism and Sexism Killed Traditional Media: Why the Future of Journalism Depends on Women and People of Color was published at the end of August, life has been a bit hectic, but in the best way. After three years of working, moving, working, writing and researching the book, working, moving again, editing the book, I was too tired to plan a book party.

If this seems convenient, well, it was sort of. I decided to do something I haven’t done in 12 years. I took a vacation. It was glorious.

Thankfully, my colleagues with the Journalism and Women Symposium (JAWS) group in DC was kind enough to let me talk about the book and what I discovered while writing it at the National Press Club a few weeks ago. It was an honor to meet such an esteemed and lovely group of women and to match names with faces.

That said, while responses to my book have been overwhelmingly positive, there have been a few folks who 1. Question the premise of the title despite overwhelming evidence of the fact that media diversity has not been a priority and has led to a significant decline in relevant audiences caring about traditional news or paying for news consumption and 2. Are not hesitant about disagreeing with the sentiment, research or facts behind my argument. The defensiveness surprises me, given what we know about the sexism and racism that unfolds throughout our social media networks on a regular basis. But the fact that there is still resistance is all the more reason to continue to have discussions about how women and people of color can leverage social media to their advantage and how the few media conglomerates that are doing a better job with diverse coverage (The New York Times, for example) can set a good example for the digital and legacy outlets that still think it’s OK to remain predominantly white and male.

I was overjoyed that for a little while my book was one of the top new releases on Amazon within the first month that it was published. I’m sure my friends and family did that. I’ll be selling copies on Saturday, October 24th at the DC Author Festival at the Martin Luther King Jr. Memorial Library at 901 G Street NW from 10 until 5. There’s a great lineup of speakers and workshops – you can download the program booklet here.  Please come by, buy a copy and I’ll sign it for you. Or if you have a copy and you’d like me to sign it for you, that’ll work too.

My book, How Racism and Sexism Killed Traditional Media: Why the Future of Journalism Depends on Women and People of Color

BooksThis is a stack of my contributor copies for my new book, How Racism and Sexism Killed Traditional Media: Why the Future of Journalism Depends on Women and and People of Color. It’s scheduled to be published August 31.

I owe so much of the existence of this book to my mentors and colleagues in journalism, especially Dori Maynard, who I wish was alive to see the publication of a work that is built on the foundation of work that she and her father pioneered regarding media diversity.

Beyond that, I started writing this book in earnest the same year that my mother died. I needed to pour my heart into something that I cared passionately about, and in spite of myself, journalism and the journalism industry, with all of its potential and flaws, became part of that.

So now it is in physical form, after I have carried it around in my head and heart all this time, which I can’t imagine ever getting old for a writer, especially someone who has loved books and wanted to publish one for most of my life. I hope you’ll pick up a copy.

It’s at Amazon and ABC-CLIO.