Tag: essay

On Belonging

I appreciate being in a period of national relief. There is something so calming, even when the world is still in a shambles, about humane leadership. It allows my creative mind, anyway, room to react to events without trying to problem solve or anticipate the next horrific thing.

One result of that has been more space in my mind to reflect and create. One aspect of my life I’ve been thinking about a lot over the past year has been my connection to The Bronx and why I am so attached to it as a site of my fiction and creative nonfiction, why it is a place that, when I lived far from New York City, pulled me back to it. I think I understand better having written this piece on Medium, but I’m not sure. It may be constantly changing like everything else.

Here’s an excerpt:

It feels like the least a Black woman can expect in the way of belonging and safety in 2021 is to not stand out from the crowd in an era of white nationalist fervor and anger. I want that sentence to mean less in the wake of this historic week but I fear it means more.The safest option, even when the world is quarantining during a pandemic, is to not make oneself more of a target for surveillance or harassment.

In the before times, I found subtle ways of trying to take up less space knowing I would be in a situation, or traveling to a place, where I would be The Only One or One of The Onlies. The stress of living in a cauldron of constant chaos and upheaval is offset by the relief of not having to navigate multiple reactions to my Blackness and my womanhood and their intersection, which seems to be the most intimidating and off-putting fact of my existence of all.

Staying in my lane, or my neighborhood, has become my safety, my insurance. My safety is that I am surrounded by others who more or less expect me to be here. That expectation is reassuring, because when white people are surprised by Black people, the Black people end up dead or in prison. It probably helps that I don’t move that quickly, since there’s a lot of me to move around. Even if I were to be one of those sudden movement types, there is, after all, a police precinct up the street. That said, I am not often made to feel like a suspect in my neighborhood, though I wonder if the Black men in my neighborhood would say the same. I bet even the famous ones would tell a different story.

I wonder: Do you feel like you belong to the place where you live? Why or why not?

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Meditations on Staying Safe in the Bronx

Probably like everyone else, I have my decent days under self-isolation and I have my difficult ones. Increasingly, they are complex, especially as the parental holidays approach…but every day now has some kind of asterisk, doesn’t it? Here’s my latest on Medium, (here’s a friend link!) which, like everything I seem to write, is about the Bronx but also about trying to navigate grief and humanity and showing up for ourselves in the midst of all of it.

Before the pandemic, my hometown had been changing dramatically, while also remaining very much anchored in what it has always been. The Bronx is always treated like a predominately Latinx and Black outpost of New York City. But it is actually the city, too. At last Census count, there were roughly 1.4 million people here.

Like Queens, the Bronx has been highlighted as an epicenter within an epicenter of the coronavirus because of the high rates of infection and death among people of color here. The deaths of people of color from coronavirus have been at rates 50 percent and higher here in the Bronx compared to Manhattan, with some of the wealthiest zip codes in the city.

Many stories have documented the health disparities that have been laid bare — showing that many black people at higher risk of being infected because of long-standing problems accessing affordable health care, distrust of healthcare providers and our likelihood of being among the ranks of essential workers.

I share in the collective anticipatory grief — grieving those you know will die — that now hangs over the city. It also feels hauntingly familiar. My father died by suicide a decade ago this month. As shocked and confused and angry as I was then, as long as it has taken for me to try to peel apart all of the emotions that still feel fresh in that grief, I know that to lose him now, when the way that we mourn is even shifting, would come with an additional stain and stigma.

I felt the most anticipatory grief for my mother, who died almost two years after my father in 2012. I watched her skin shrivel around her eyes and cheeks as Stage IV cervical cancer ate away at the fleshy, coy expressions she always made that taught me the finer ways to flirt, to help joy shine from one’s face.

In those months and days before she died, I felt a lot like I do now: I kept a daily vigil at the edge of the world I used to know with her at the center, whether I wanted her there or not. Mourning itself felt like a virus I needed to save others from.

A Letter to my Nieces & Nephews on Ella Baker’s Birthday

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Photo Credit:  NAACP Collection, Prints and Photographs Division, Library of Congress

My loves,

One of the greatest Black women poets of our time, Lucille Clifton, is not frequently taught in schools — or at least not taught enough. Her poem, song at midnight, contains a line you may have seen on the internet, in part. We like to circulate it among ourselves as a clarion call, a prayer, a balm & mantra, especially the last lines, but here is the second part of it, from The Collected Poems of Lucille Clifton 1965-2010, edited by Kevin Young and Michael S. Glaser:

born into babylon

both nonwhite and woman

what did i see to be except myself?

i made it up

here on this bridge between

starshine and clay,

my one hand holding tight

my other hand; come celebrate

with me that everyday

something has tried to kill me

and has failed.

The epigraph to this poem is from a Sonia Sanchez poem: “…do not send me out among strangers.”

Black women’s lives, for so long, were shaped around survival, and it had always been so, it’s true. In The People Could Fly: American Black Folktales told by Virginia Hamilton, in the introduction, though, I was reminded of something else.

“It is amazing,” she writes, “that the former Africans could ever smile and laugh, let alone make up riddles and songs and jokes and tell tales. As slaves, they were forced to live without citizenship, without rights, as property – like horses and cows – belonging to someone else. But no amount of hard labor and suffering could suppress their powers of imagination.”

 

Continue reading “A Letter to my Nieces & Nephews on Ella Baker’s Birthday” →

On necessary anger & discomfort

It’s not easy reading, but it needed to be said. On Medium:

What will become of the white women who say they want the world to be better for all of us, but will not gather their white sisters or relatives at the dinner table when they say deeply racist things because they are all bound up in the comforts of the patriarchy that oppresses us all? How will we reconcile the addictive nature of comfort and how comfortable narratives keep us stuck in the lie of solidarity?

Are we willing to be angry with one another in the service of understanding that discomfort might be the thing that saves us?

Audre Lorde also said this back in 1981: “But the strength of women lies in recognizing differences between us as creative, and in standing to those distortions which we inherited without blame, but which are now ours to alter. The angers of women can transform difference through insight into power. For anger between peers births change, not destruction, and the discomfort and sense of loss it often causes is not fatal, but a sign of growth.”

Writing Yourself Well

It makes sense to me that writers don’t agree on whether writing is therapeutic.

For me, it always has been, but for some, writing is just hard and grueling. Writing  has always been a site of pleasure even when I was writing about pain. It has offered me sanctuary and escape, transformation and beauty, solace, comfort and more.

As I’ve gotten older and grown in confidence and experience, writing has started to also offer me joy.

For Black women, especially, who are expected to do so much emotional labor and work in different contexts in this country, joy is a revolution. It is an act of resistance to decide to be well, and to choose joy.

This was hard to do this week, especially. I argued with myself about it, somewhat publicly on Twitter, briefly. I wrestled, privately, with whether I should be sharing. I have been writing, in no particular order, about the historical trauma and chronic stresses that Black women hold in our bodies due to racism; the long and ignored history of Black women’s political participation in this country since before the Nineteenth Amendment; fiction and poetry at the intersection of police violence, mental health, and Black Christian resistance to the full range and humanity of queer identities that literally kill Black women with silence — directly or indirectly.

When I finally stopped; when I realized I was triggered and needed to step away, there was more to be done but there was also a historic spectacle centered on the devaluation of women and patriarchal resentment — where a respectable woman was speaking bravely and an angry, livid, entitled white man was lashing out angrily and I just could not be a witness. I could not do the work of being a witness because I was tired.

I say this not because I want anyone to play any tiny violins for me — my life is wonderful and full and I have privileges that I have been both blessed with and I have worked my ass off for. I say this because I wish when I was younger I would have read, seen and heard more Black women say and model for me what to do when you are depleted.

We have seen with the very public suicides of celebrities what happens when people suffer privately with their demons; but there’s another choice to overwhelm. There’s a proactive answer to overwhelm, to fatigue, to the stress of burnout: Go some place quiet. Fill yourself up. Do what you want to do, for as long as you can, for as long as you can afford to. Do not die, literally or figuratively, at the mercy of what you think other people expect you to perform of your pain.

I’m thankful to have friends and loved ones to affirm me and to affirm this. They save my life. Every day. Every hour. Every moment — often without realizing it. They are constant reminders that I don’t have to expose myself constantly to things that are triggering and nor do you.

That is a long, precious set up for this essay about pigeons, which I know will seem so random and is a bit different for me. I wanted to laugh and humor myself after exposure to hard things and a ton of hard work, so there you have it.

Yes, hard things are happening, and there is work to be done. But I can still claim joy in some of these moments to write myself well. And you can, too.

 

Serena & The Humanity of Black Women

It was a gift, especially as I teach the Combahee River Collective statement from 1977 and remind folks that we have been fighting for a long time on behalf of our own freedom not just for the sake of ourselves but so that everyone else can be free, too, to write this for Mic.

It’s more convenient for white sports fans, of course, to turn the healthy, justified rage of black bodies gazed upon for money-making sport into a weapon formed against us. But like Colin Kaepernick, Serena is a generosity. She won’t let anyone or anything make her flat or less complex. Like Shirley Chisholm, she is unbought and unbossed. She contains multitudes. She can be both livid and kind, distraught and sweet, within the same hour.

What audacity, what nerve, that black girl with the big hair and the strong legs and amazing body has, showing up, demanding to be seen as human. What a gift, in this time, in this void of regal reckoning for black or brown bodies anywhere but fictitious worlds, that we get to witness Serena’s humanity unfurl, unedited.

Finding Sanctuary & Tribe at Sababa

Remember how I said I was having a busy summer, writing all the things? I *was* writing all the things. But I was also revisiting some of the really fun days of my youth by working as Camp Storyteller at Sababa Beachaway in its inaugural season at Old Dominion University. I wrote about it on Medium. I hope you enjoy it. It was a transformative experience to get to witness, and to get to heal a part of myself I didn’t realize was in need of such repair. Here’s a snippet:

Summer camp is, at its heart, an embrace of the best parts of childhood. Your needs are taken care of, even if what you want is another story. Hopefully you make more bonds than you do enemies. You learn things you didn’t know before you showed up, try on a different way of being to see if it matches who you are today, who you want to become tomorrow and maybe after that. You discover the things you never want to try again, usually by failing.

Most everyone around you fails at whatever it is you’re trying differently but in tandem — whether that’s an icebreaker or learning a new skill; You rise and fall and laugh and cry and sleep and lose sleep and get drenched by summer rain and crush hard on one of your camp counselors and write home and make bracelets out of multicolored strings and nothing matters as much as this moment except for the next moment which is so much more fun.

I envy the privilege of being a kid, though I don’t know I was ever afforded the innocence that comes with it, given the body I was born into. Once the innocence is gone, its absence feels permanent, like you can never get it back. Adulthood is the unrelenting weight of knowing, context, responsibility…

(As Camp Storyteller at Sababa) I tried to imagine being a pre-teen or a teenager in the world of today, trying to disconnect from the incessant chatter of the world for even 24 hours straight, then not only learning how to answer the call of the ocean by attempting to surf (I didn’t get a chance to try) but also learning more about how to become more of myself through seeing myself reflected in a community that both saw and affirmed me during this two-week journey.

One of the first items I received and cherished, aside from my trusty waterproof camera, was my Siddur Sababa, which on its cover outlines the Sababa values: To be stoked by fire, propelled by water, nourished by taking only the food that we need and to find balance in the shelter and sanctuary of one another.

Within days of being at Sababa, I felt like I had found some of my people, even as an adult orphan that still struggles sometimes with belonging especially to new groups of people. Before I knew it, the smallest campers — 10 years old and pretty talkative — were among the first to befriend me. (This is a good time to mention that I actually find kids to be the most intimidating, scariest humans of all — they are fragile, they see everything, they know stuff they maybe can’t articulate with big words like adults can, but they break so easily and also they don’t filter anything. They are the bravest, the most honest, the most in need of our protection. They make my nerves so bad because I worry about them more than anything else.)

Each of them offered me presents of found dimes, artful photographs of “big fat fluffy sea birds” (you likely refer to them by their technical names: Seagulls) and an education in competitive ballroom dancing.

I realized just sitting in conversation with them that they were free.

What would it mean, I wondered, to be free most of the time from the perceived, unrelenting social expectation to be perfect? I think for most adults we just assume that’s a wash and we have to be in the game, but for kids, there’s still some hope. Would they not find incredible benefits now, as their identities are still taking shape, and they are deciding who they most want to be in the world, in learning how to disconnect from the endless echo chamber of comparison and social media performance?

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Reflections on Austin for The New York Times

When the bombings started in Austin, I was distracted by other things like a lot of other folks. I saw 17-year-old Draylen Mason’s name and that he had been attacked, but I didn’t register a connection between him and the other people who were being harmed in Austin until too late, until Governor Abbott decided it was time to offer a reward for information for the bomber who was then later described as a nice young man with challenges.

Writing for the Times is something I’ve always wanted to do. I have dreamed of publishing on the Opinion pages there since I was a college student. On Thursday, that became a reality with this piece, What It’s Like to Be Black in Austin.

By now, because the bomber is dead, and there are other things to think about and be outraged about — Stephon Clark’s murder among them — these reflections might seem to be a forgone conclusion, but because we live in a time of increasing racial terror, perhaps they are not. We are just in a different moment than when I wrote at length about leaving Austin in 2013. So I worry that failing to look at some of these thoughts or ideas will mean that fewer things get resolved, fewer conversations are aired.

Whenever I write about race or have conversations about my experience, I inevitably get questions like, “What should we do?” I feel very strongly that my work in the world is to be a witness and to write. My work is not to solve refusal to see biases at play or anything else.

I’ve been amazed by reconnecting with my friends and colleagues across the country in the wake of the piece’s publication. Most of the responses have been positive. Because this is a piece that is about race and racial critiques of well-meaning people tend to bring out defensiveness (underscored in the piece), it won’t surprise you to hear there’s been some of that as well.

In any event, writing this piece made me appreciate even more the wonderful people we meet wherever life takes us who become our community. Our truths are not other people’s truths and they don’t have to be. I hope that folks will take what is useful here and leave the rest.

In Austin, I felt a loneliness that was hard to explain. I wasn’t just a New Yorker in Texas. I was a tall, dark-skinned black woman with natural hair. I was an outsider in a place that is supposed to value weirdness, but I never felt like the right kind of weird.

I did the things everyone does in Austin. I went for runs around Lady Bird Lake. I went to hear live music. But whenever I looked around, I would always notice that there was no one else who looked like me. I tried to talk to some of my well-meaning white friends about this. They would try to “Well, actually …” me. “Well, actually, Austin is better than the rest of Texas.” What else could they say?

So I moved back to the East Coast, but I kept my home in East Austin and still visit when I can. It’s my home away from home.

I learned about the bombings on Twitter, and it was surreal to read these familiar names in the middle of the horror. These were people I wrote about, people I knew, people I shared laughs with: Nelson Linder, the head of the Austin N.A.A.C.P., and Freddie Dixon, a pillar of the community, discussing the deaths of 17-year-old Draylen Mason and 39-year-old Anthony Stephan House.

I worried for the people I knew, and then I felt, again, that deep, lonely sadness. I wasn’t the only one made to feel that I didn’t belong. Someone was targeting black people, but once the bombs appeared in other neighborhoods, the authorities no longer seemed willing to consider the possibility that hate crimes had been committed.

I don’t know what else to call them. When the bombings started, I had been writing about the 50th anniversary of the Rev. Dr. Martin Luther King Jr.’s assassination, so I knew the faces of martyrs of the civil rights movement. Whenever I hear about bombs and black people, I think of the four little girls murdered in Birmingham, Ala. I have family ties to Philadelphia, too, so I think of the Move bombings. Are there any black people who can separate news of bombs from notions of terror?

We are in an unusual cultural moment. There has been so much truth-telling over the past few months, so much affirmation about speaking truth to power. I hoped that this time, the authorities might acknowledge that, yes, black people were targeted. I thought someone might make the connection — East Austin is the only place in the city where black and brown people still live in large numbers, and they remain vocal. There are people who are afraid of that, and are threatened by that, and that makes East Austin a target. Instead, there was silence, as these concerns disappeared into the broader panic about where a bomb might strike next.