When I spoke to Carol Anderson for Kirkus Reviews, it felt like we could have talked for hours. Her book, One Person, No Vote, is an important read for anyone who cares about what’s at stake for the midterms and for 2020. What stayed with me most about what she said when I asked her about her call to action in the book is that voting is essentially the only remaining lever of power available to most people in our Democracy. I know folks feel various levels of indignation about the suggestion that anyone should be telling you to vote, but opting out combined with the steady erosion of the Voting Rights Act of 1965 will set us back farther than anything you can imagine — for generations.
In his 1951 novel, Requiem for a Nun, William Faulkner wrote the oft-quoted line, “The past is never dead. It’s not even past.” This is true now, it seems, of so many things, but it’s particularly resonant for the fight against voter suppression.
As much as immigration or Supreme Court picks have dominated conversations about the Trump Administration, political power in the United States begins and ends with the vote. Acclaimed historian Carol Anderson’s latest book, One Person, No Vote: How Voter Suppression is Destroying Our Democracy, scheduled for publication on September 11th, situates current truncated discussions, exaggerated rhetoric and lies about voter fraud and suppression at the polls meant to disenfranchise voters in a past that feels eerily like it never became history.
Jeff Sessions, for example, when he was Alabama U.S. attorney, referred to the Voting Rights Act of 1965 as an “intrusive piece of legislation,” then “rounded up twenty elderly blacks and had Alabama state troopers drive them away from their community into a predominately white area to be fingerprinted, photographed and grilled before a grand jury” to intimidate them out of voting, Anderson writes. There are troubling and astounding stories like this throughout One Person, No Vote from Anderson, the Charles Howard Candler Professor of African American Studies at Emory University. She said the idea for her latest book emerged when she was on tour for her 2016 book, White Rage, which won the National Book Critics Circle Award for Criticism along with a host of other accolades.
“During the Q&A on the road, I often got a question about the part of [White Rage] about voting, ‘How hard is it to get an ID?’ Because headlines about voter fraud became the shorthand mantra,” Anderson says. “So you begin to talk about which IDs voters need. African Americans and poor people often don’t have the kinds of IDs that you need. I wanted to demonstrate how difficult it is to get those IDs.” She also details the combined effectiveness of voter ID laws combined with the lie of voter fraud, found by law professor Justin Levitt to amount to “31 voter impersonation cases out of one billion votes nationwide” cast between 2002 and 2015 and a “powerful and effective ‘political weapon’ wielded against minorities, youth and the poor.”
: I got a sneak peek at this one (Oh, the rewards of being a book nerd are few, but feel so enormous sometimes…) since the pub date is next week, on August 14th. I love the color, and adore the mission of We Need Diverse Books, cofounded by the anthology’s editor, novelist Lamar Giles. Here, he’s compiled fresh, and beautiful short stories by a constellation of YA’s strongest voices. I’m not all the way through, but stand-outs so far are “Why I Learned to Cook” by Sara Farizan, (whose third novel, 
, is incredibly timely and comes out this fall) Walter Dean Myers’ “Tags,” a one-act play that’s previously never been published and Melinda Lo’s (adorable) “Meet Cute.” I can’t wait to dig into the rest of the collection, especially stories from Daniel Jose Older & Melissa de la Cruz and Nicola Yoon. This is a collection that isn’t to be missed — it fully represents the world in which our youth live, which is what makes it so fresh. There are parts of Eric Gansworth’s “Don’t Pass Me By,” that are laugh out loud funny, and other moments of regular ‘ol teen angst that show that stories in own voices are also universal stories of kids who are just kids. The book is a relief.
: One of the things that’s inspiring about talking to writers who write for a young audience and particularly for children of color (who often don’t see themselves reflected in literature, so get turned away from books at a young age) is that they often have such an interesting path to get to the page. Barbara Binns is one such author — and 
Joshunda Sanders 