Coping with Father’s Day as a Suicide Survivor in 2018

I self-published my memoir The Beautiful Darkness: A Handbook for Orphans in October 2016 after spending more than 20 years working on one version of the story or another. The book’s name comes from two sources.

The concept of being an orphan, particular in the Black community, may seem jarring. We are, after all, known for taking care of one another even when we’re messy.

But even before my parents died – my father by suicide in 2010, my mother from cervical cancer in 2012 – I had been orphaned by them in many ways, largely because of untreated mental illness.

In Mira Bartok’s The Memory Palace, she wrote:

The Sami call the period from mid-November to mid-January the Dark Time, or Skabma Dalvi — the Beautiful Darkness. Most of the day, the sky is a deep indigo blue, even in the morning. It is so hard to know when to wake up, when to work, when to eat a meal.

The phrase the Beautiful Darkness stayed with me for a number of reasons: I’m a winter baby; I prefer cold weather to warm; I last saw my mother alive and forgave her for our hard times together during this time and it was the season in which she also made her transition.

The Beautiful Darkness, for me, is also a way of thinking about grief that has been helpful. It’s a time that can be disorienting in the way that Bartok describes, so that you feel lost. This can also be a gift, a way of learning new way.

These days, this season reminds me that we learn these things in order to share them.

Continue reading “Coping with Father’s Day as a Suicide Survivor in 2018”

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‘A life of spectacular promise undone by demons’

Trigger warning for the trauma of homelessness and mental illness 

This beautiful New York Times profile of Nakesha Williams, a Williams College graduate who died homeless on the street at the age of 46, was the first thing I read yesterday. My friend Amy sent it to me, saying it reminded her of the story I tell in my memoir, The Beautiful Darkness. Maybe I should have waited, knowing that, but I’m glad I didn’t.

I have written about the poverty and homelessness I experienced as a child — mostly as a result of my mother’s untreated bipolar and borderline personality disorders — mainly because for much of my life, and much of my mother’s, no one else wrote these stories. I imagined that I was alone in my experience. That made it all the more painful, lonely and difficult.

I had books, and writing, and education. I have been lucky, I have worked extremely hard, I have been writing my heart out for so many years. And yet, it feels like reading this story was reading my story, or the possibility of a future to my story yet to come. That is the legacy of experiencing the trauma of homelessness or being exposed to these adverse childhood experiences as a kid. They never leave you.

There are so many parallels between Nakesha and I, but more between her and my mother. We both love books and reading, we both sang in gospel choirs. I nearly went to Williams instead of Vassar.

I chose the latter because when my mother was still alive, I decided on college the way I decided on everything else: Based on its proximity to her. Attending Vassar meant I could get to Grand Central more quickly (and for less money) in case Marguerite had a manic episode. In case she ended up in a psych ward. In case she got evicted again, as she did my sophomore year, and I needed to drop everything and go to where she was and try to fix things that were beyond my years to fix.

Nakesha’s story is my worst fear for my life, though I am far from the little girl who had to watch my mother refuse medication, or fail to pay the water bill or negotiate not having enough money to buy food for days any more. Grace has kept me — along with writing — sane. But the kind of trauma that mental illness and then homelessness can inflict will never leave my body. It is a battle scar. A deep wound I am learning to befriend.

When I read Nakesha’s story, I was reading about my mother again. I kept, and still have, the lipstick imprinted letters of my mother, along with the emails that she sent me (like Nakesha) from libraries in New York and Philly. Because her life had so much potential, had so much life and joy and darkness that also taught me about beauty, I included some of these emails in my book.

At the core of this story about Nakesha, though, is the mystery of how the love, attention, resources poured out from others somehow failed to reach her. This is the part that resonated with me about the unknowables on the journey with someone who is mentally ill. This was my greatest heartbreak, the title of this blog, a line from the story about the realities of there not being a simple solution to the complex realities of homelessness and in particular, not a simple answer to the question of what happened to Nakesha.

There is no accounting for the demons, the silences, that can overtake us. All we can do is try to avoid them, try to keep going, try not to let them take us under. But maybe this story was so deeply moving for me and disturbing because this means there will continue to be many people like her and many women like my mother, and not as many people like me, who can profess, with not just a little bit of remaining survivor’s guilt, that we were spared somehow.

 

 

The Story of Our Talent for Survival

I remember exactly when I learned that reading in the hood is a revolutionary act.

It was at the heavy hands of Michelle, the largest sixth grader I’d ever seen, who was one of the Bronx girls around the way who liked to chase me to deliver a beat down as punishment for not letting her cheat off of my spelling test.

Reading was dangerous because it sent a signal to hood residents that you did not intend to stay, even if they were not considering a way out. Books seemed to suggest that even if your body was stuck in tenements or housing projects or welfare hotels, your mind was on the path to freedom.

That’s why I became a professional reader long before I was a writer. Books gave me hope when I was living in homeless shelters, subsidized housing, and welfare hotels with my mother in New York City. They helped me shape a future for myself that was beyond the limits of poverty, neglect and my mother’s mental illness.

Most of the middle class and affluent black folks I would come to know in the future would wince and give me a look I couldn’t read when I would tell the story that I outline in my new memoir, The Beautiful Darkness: A Handbook for Orphans. Even the presence of the elegant, poised, brilliant President and First Family does not negate the long shadow of prevalent biases about all black people as subject to abject poverty and dysfunction. But that was the real life that I led, even if it wasn’t particularly attractive.

I read to cope. I found solace at the library. Especially from Michelle, because you couldn’t get in the West Farms public library branch without a library card and she definitely didn’t have one.

I inhaled whatever was in the new book section. Self-help books, like How to Have Better Self-Esteem, because I hated myself. Because as a third or fourth grader in and out of public schools in each of the five boroughs because my bipolar mother was not medicated and couldn’t keep a job, I felt like a burden. In Search of Our Mothers Gardens and Zami: A New Spelling of My Name and for colored girls who have considered suicide when the rainbow is enuf fed my spirit. Resting my mind in black girl poetry and prose gave me hope when my mother’s manic episodes or neglect threatened to erase the slight will to live that I hung on to.

I had not grown up in a big family, it was just me and mom. And my mom had been broken by life long before me. Her own mother had died when she was a teenager in a mental institution. She went on to have five children but I was born only came after Jose was killed by a city bus when he was 12 years old — a turning point in her life that I believe triggered the worst parts of her bipolar and borderline personality illnesses.

Reading was my main connection to the world, the only thing that I believed and felt connected me to an invisible community of other homeless children, other aspiring writers, dreamers, black girls, the poor who wanted to be anything but. So I got beat at home for no reason other than my mother’s mania, and I was bullied at school for trying to find safe haven in the pages of books. While I grew up with my mother and she did her best to care for me, I was an orphan in the sense that I mothered myself and sometimes tried as a kid to mother my mother. That is obviously not the work of a child, but I did try. The main plague of my childhood in all of its adversities was loneliness, isolation.

I wrote The Beautiful Darkness to save others from their loneliness. To offer empathy and community to those who know what it is like to live with anything like a broken black family and are resilient in the face of it regardless. We have often heard the stories of black women struggling with poverty and adversities with their children through journalists and sociologists who do outstanding work. Rarely do we hear directly from survivors.

Maybe like me, they feel the weight of stereotypes and stigma pressing them away from the page. Maybe they think no one will want to hear their story or will buy their book, or it will not resonate because they have already read something similar — all variations of what I have heard. But here is the dream I hope becomes real. Maybe, just maybe, a little black girl who is between homes with her mom who struggles with depression will be searching for a roadmap for herself way from despair on a library bookshelf somewhere.

This book is for her.